Capturing Crystal Cove
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There’s something about Crystal Cove.
The dramatic beachfront -- framed by green hills, ochre cliffs and
sparkling ocean -- has attracted attention since it was “discovered”
by legendary plein-air painter William Wendt in the early part of the
last century.
The cove is as glamorous and romantic as any place in California.
It has been used as a mock-tropical backdrop by Hollywood’s silent
moviemakers and as an illicit post for rum-runners during
Prohibition.
Over time, it became populated by a group of hardy, rambunctious
tent-campers and cottagers who hung together year after year to form
a lasting, multigenerational community, or “tribe.”
The crystal-clear waters that gave the cove its name have become
one of the state’s five underwater parks and have gone into marine
lore as the site of the first recorded dolphin birthing ceremony -- a
mystical event in which the mammals encircle the mother and welcome
the offspring.
After being the inspiration for the earliest generation of
landscape painters who founded Laguna Beach nearly a century ago, it
was rediscovered in the new millennium by a group of plein-air
painters seeking to capture its magic before the cove cottages
disappeared into a luxury resort proposed by the state parks
department.
Renovations under way
With the resort plan routed, Crystal Cove Cottages is now entering
another of its incarnations, as a unit of the state park system. Its
ramshackle residences -- built in a charmingly haphazard style called
vernacular architecture -- are undergoing major renovations at a cost
of millions, paid for by state park bond funds.
Next spring, 22 of the 46 cottages will be open for rental to
overnight visitors who, it is hoped, will be able to experience
first-hand the magic of Crystal Cove.
The cottages are being carefully restored to reflect their
origins, while also providing modern conveniences such as plumbing
and wheelchair access.
“It’s been a rough year,” said Laura Davick, a former cove
resident and founder of the Crystal Cove Alliance. “The boardwalk
washed out, and my house [cottage] had to come down.”
A landslide changed plans for one of the most famous cottages,
which became known as the “Beaches” structure after being featured in
the 1988 movie starring Bette Midler. The cottage, located at the
southern end of the village, was to have been restored as a marine
study center, but that honor will now go to another cottage in a
safer location.
Nowadays, the cove looks more like a construction zone than a
beach community as earth-movers tear away at the soil to allow for
sewers and foundations to be installed.
Best-selling book
In the meantime, the cove’s complex history has been captured in a
book which is itself becoming something of a legend -- having popped
up on the Los Angeles Times best-seller list twice since it was
released in July.
The Times described “Crystal Cove Cottages: Islands in Time” as “a
look at a group of historic beach cottages along the Orange County
coastline that mixes bohemia and Americana.”
More than a coffee-table book, “Crystal Cove Cottages” is the
loving work of three women, each with deep roots at Crystal Cove and
hoping to preserve its culture and celebrate its past.
Davick, who grew up at Crystal Cove as part of the latter-day
generation of year-round occupants, fought to save the area from
redevelopment and is leading the group that is overseeing the
restoration of the cottages.
Meriam Braselle is a Laguna Beach plein-air artist and expert on
the genre who collected the numerous cove paintings, many by
contemporary artists, in the book.
Karen Steen, who wrote the text, says the idea for a book about
Crystal Cove had been knocking around in her head since she became a
journalist. Her South Pasadena family had been coming to the cove for
long summer stays since well before she was born.
“I had a nostalgia for the time period, and after I left
California, the romance stayed in my mind. It was unique, and I
wanted to write about it,” Steen says.
Steen grew up steeped in stories about the old tent-camping days,
when summer vacationers would pitch their tents all along the
California coastline to escape the intense inland heat. At Crystal
Cove, this summertime ritual had evolved into a year-round beachfront
community with unusual features.
Movie colony
As Steen describes in the book, moviemakers were the cove’s first
temporary residents, and the first structures were tropical-inspired
sets as well as huts to house the workers. “Treasure Island” was
filmed there in 1917, and Gloria Swanson and Gary Cooper were some of
the stars who acted in films shot at Crystal Cove.
The moviemakers introduced coconut palms and other tropical plants
to the area, and this led to an edict that all structures be covered
with palm fronds so the movie-making could continue uninterrupted.
The thatched “Gilligan’s Island” effect startled many early
travelers, and Davick says most of the area’s palms and other
greenery are left over from those early Hollywood set days.
End of an era
In 1962, beach camping was outlawed in Orange County, bringing the
tent era to an end. But the Crystal Cove Cottages stayed on because
of an unusual arrangement between the residents and the Irvine Co.,
the firm which controlled the land.
A member of the Irvine family had purchased the cove area with two
partners in 1864 from Spanish land grant holder Jose Andres Sepulveda
for a sheepherding venture. James Irvine eventually became the sole
owner of the 48,000 acres that would become known as the Irvine
Ranch. Unlike many large tract owners, Irvine wanted to keep the land
natural and refused to use it for anything but agricultural or other
“passive” uses, which apparently included moviemaking.
Many years later, the Irvine Co. kept that tradition, shying away
from development but allowing the cove cottagers to remain as
leaseholders -- as long as their residences were not improved.
Some residents found a way to circumvent that restriction by
making repairs and even improvements that closely matched the
original style and by using a special “disappearing” paint that lent
an old patina to any new structure.
The cottages therefore remained in their time capsule for some 60
years.
Battle over cottage community
After the Irvine Co. sold nearly 2,000 acres of coastal land to
the state park system in 1979 for $32.6 million -- the most ever
spent at that time in a single parkland purchase -- the cove
community bitterly fought the dissolving of their village but lost
after a decades-long struggle that is echoed in the current battle
over the El Morro Village trailer park nearby.
In 2001, Steen, a writer based in New York City, saw an article in
the New York Times about the Crystal Cove residents being forced to
move out of their longtime home. Feeling this was a story she wanted
to tell, she wrote it up as an article for Metropolis, an
architecture and design magazine.
While researching that article, Steen interviewed Davick -- whose
grandparents were friends of Steen’s grandparents at Crystal Cove --
and reacquainted herself with many of the cove’s former residents.
The resulting article delighted Davick, who by then had founded
her organization, which sought to keep the cottages intact in the
face of a state parks proposal to turn the area into a luxury resort.
Davick asked Steen if she would like to write a book about Crystal
Cove, and Steen jumped at the idea.
The book, Steen thought, would give the Crystal Cove tribe
something to remember, as well as tell the story of a unique
community.
“I see it as a great story, and a way to explain why there was
such a fight over the redevelopment plan,” Steen says. “It’s
incredibly sad to lose something that’s been in your family for five
generations.”
Family photos
The book contains photos of beach parties, luaus, tent camping,
and abalone catches that look like they came from family photo albums
-- which they did. Steen gathered oral histories from some of the
cove’s oldest residents, giving the book an authentic voice.
“It’s a capsule of California history, from the moviemaking era to
auto touring, the postwar boom, and the state parks purchase,” Steen
says.
“All these moments in history are reflected, and one of the most
interesting facts is that it [Crystal Cove] still exists because of
the unique arrangement with the Irvine Co., where the residents
couldn’t change anything.
“Something about Crystal Cove gets its hooks into you.”
To buy the book, which costs $35, from the Crystal Cove Alliance,
visit www.crystalcovealliance.org. All proceeds will go toward
restoration efforts.
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