Are aliens and predators really this boring?
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Evan Marmol
Paul W.S. Anderson wrote, and directed the most unimpressive
disingenuous clash of the titans in recent memory. “Aliens Vs.
Predator” managed to de-claw the menacing aliens and demystify the
pernicious predators.
The plot is utterly hard-boiled, divested of any character
development. What it boils down to is 90 minutes of nonsensical
boredom. The dialogue is as dry as last year’s Thanksgiving turkey,
and far less enticing. Kudos to the special effects, but it is one
thing to show the nefarious beasts, it is quite another to make them
entertaining.
The gist is a typical trite formula. An unassuming billionaire
assembles a crew of scientist from an array of disciplines, and
contracts them on a clandestine mission. The purpose is for this
coterie to discover an ancient pyramid. Amid the excavation, they
find themselves embroiled in a hornet’s nest of monsters. Aliens,
predators, take your choice -- each is as ostensibly vicious and
psychopathic.
There is only one problem. The action is orchestrated in the most
unimaginative manner. A number of unnecessary plot twists only
detract from the already tepid action. And the characters are so
poorly developed that you cannot identify with them and you do not
really care if they live or die. To make matters worse, the aliens
and predators seem as bored fighting as I was in my seat. These are
supposed to be the most devastating hunters in science fiction, and
they meander around as nothing more than eye candy.
This film is a major goose egg. It is nothing more than episodic
tripe attempting to capitalize on its namesakes. I dreaded watching
it, and the fear of sitting through it again is scarier than the
flick.
‘Village’ is another Shyamalan classic
M. Night Shyamalan cannot be imitated, paralleled or even touched
in the domain of true ingenuity. The director, writer, producer and
consummate master of movie making dons many genres, and is as
extravagant -- sometimes a bit outlandish -- as you can get. However,
his films never cease to amaze and captivate. “The Village” is
another in his burgeoning legacy of timeless films that will enthrall
for generations to come.
As with most of Night’s films, the premise of “The Village” is
merely the proverbial tip of the iceberg. His repertoire is vast, but
he loves to surprise the audience and take it on a tortuous ride that
can flummox the most canny patron and nonplus the sagest.
The film opens in an insular Pennsylvania community that has
buttressed itself against unnamed, savage creatures. This community
coexists peacefully with the woodland beasts by respecting their
boundaries. Within the community, there is a strained peace and
provincial ambience. Looming over the village resides a strange aura
that always guides its residents to be as isolated from “the towns”
as possible.
This eerie tale is as startling and bloodcurdling as it can be. It
can also be heartfelt and jovial. It is simultaneously a suspense
thriller and love story. The film accomplishes this with Night’s
direction and an all-star cast including Joaquin Phoenix, Bryce
Dallas Howard, Adrien Brody, William Hurt, Sigourney Weaver and
Brendan Gleeson.
This film mesmerizes from the get go, and consumes every sense. It
is a modern parable with dignity and heart. I recommend it to all.
* EVAN MARMOL is Laguna Beach resident. He graduated from UC
Irvine with a degree in psychology and social behavior. He can be
reached at [email protected].
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