Dense, dumb, gory -- a zombie film
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Uncle Don
They stalk the Earth. Their origin is unknown. They have no visible
means of support. There is no apparent reason for them to exist. They
offer nothing but misery. They infect all they touch and ruin the
lives of those they encounter. Eyes are glazed and vacant. They drool
and slobber while wandering aimlessly. Enemies of humanity, nothing
but gibberish emits from their mouths as they ravage their
environment, destroying all in their path.
Liberals? Naaah, a higher form of life.
This remake of George Romero’s “Dawn of the Dead” is worth the
view. The corpse count has to be higher than Hiroshima’s. If the
zombies are not being impaled, shot, decapitated, eviscerated,
immolated or exsanguinated, these bug-eyed, hyperactive,
sugar-overloaded corpse-chewers are rabidly overacting from one scene
to the next.
Imagine going to sleep one night, ignoring the news flash on the
tube. Johnny Cash singing in the background. You wake up sometime in
the early morning to a banging on your bedroom door. The door opens
and there, silhouetted in the darkness, is your daughter. She’s such
a sweet little thing. Blood is dripping down her nightgown. Being the
good parent, you rush to her. Being the bad daughter, she tries to
gnaw off your spouse’s head. Like vampires and werewolves, getting
bit is the ticket to becoming said vampire, werewolf and zombie.
Houston and New York and Los Angeles, we have a problem.
Evidentially a plague of unknown origin has loosed itself upon the
Earth. In the grand tradition of most horror films and especially
zombie flicks, where the plague came from, what it’s doing here is
irrelevant. The only thing relevant is that there are zombies
parading the Earth. And, like teenagers, they’re eternally hungry,
and have just awful table manners.
These are not your parents’ garden variety zombies. You might have
seen them: old, slow-moving, stiff-gaited meatballs wearing Goodwill
clothes and a splash of Bosco or Karo syrup while gnawing on KFC in
some of the old flicks like “The Night of The Living Dead.”
These updated zombies have grown up on “Fear Factor.” They’re
faster than a sprinter on steroids. Stronger than Limburger. Mega
doses of Ritalin can’t slow these suckers down. However, like the
traditional zombies we’ve all grown to know and love, they can be
exterminated in the traditional way. A bullet or a sharp, pointy
object through the brain and these suckers are nothing more than
speed bumps for the army of zombies passing over them. But are they
really liberal zombies as I surmised earlier in the column? I dunno.
These zombies have functioning brains.
Our cast of survivors, who hole up in a shopping mall, is your
usual assortment of stereotypes. The cop, the con, the rich guy, the
schmo, and a couple of good-looking broads. Almost sounds like
“Gilligan’s Island.” Predictably, they fight, bicker and exchange
platitudes while the huddled masses of flesh-eaters on the outside
are hunkering down trying to figger out a way inside so’s they can
chow down on the tasty fresh meat that’s just on the other side of
the shatter-proof glass.
Our Mensa not-gonna-bees, safely encased in this mall, a huge
concrete structure with almost unlimited food, water and clothing,
come up with the brilliant plan of constructing a couple of armored
buses, outfitting them with various accouterments of destruction, and
driving through three-quarters of a million zombies to the rich guy’s
boat so they can cruise to an island off shore that may or may not
exist, that may or may not have zombies.
Collectively, they’re denser than a black hole and dumber than
pallets of pavers.
Well, they build buses that the Road Warrior could relate to.
Outfitted with cow-catchers (this takes place in Wisconsin), razor
wire, propane bombs, chain-saws and other tasty goodies, they bust
out of the mall into the greatest sea of nonhumanity ever put on
film.
The action starts almost from minute one and extends to the end
with its “The Blair Witch Project” grainy video type editing.
Listen up. Don’t read much more into this film that what it really
is. This ain’t nothing but a zombie flick, eatin’ all the time. This
ain’t nothing but a zombie flick, gore all the time. Well you ain’t
never gonna catch me and you just ate a friend of mine.
* UNCLE DON reviews B-rated movies and cheesy musical acts for the
Daily Pilot. He can be reached by e-mail at [email protected].
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