TOM TITUS -- Theater Review
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It’s probably the most familiar comedy in the English language, having
enjoyed success on stage, on the screen and as a television series. But
that doesn’t stop innumerable community theaters from periodically
reviving Neil Simon’s 40-year-old play “The Odd Couple.” The reason is
simple: It’s also one of the funniest.
The latest venue for this venerable gem of a comedy is the Huntington
Beach Playhouse, where a strong cast under the keen directorial eye of
Gregory Cohen breathes new life into this hardy senior citizen. Cohen --
whose production of another Simon play, “Rumors,” set a lofty standard as
the new theater’s opener seven years ago -- has long enjoyed a reputation
as a premium tickler of the funny bone, and this show is definitely in
the proper hands.
Everybody, but everybody, knows the story by now: “divorced, broke and
sloppy” sportswriter Oscar Madison takes his poker-playing buddy Felix
Ungar, the latest casualty on the marital battlefield, under his wing and
regrets the gesture almost immediately. Opposites may attract, but it’s
much more fun when they repel, and the slovenly Oscar is hardly the ideal
companion for the male Martha Stewart represented by Felix. Blanche and
Stanley were better matched in “A Streetcar Named Desire.”
The blunt, corpulent Oscar generally is played in his 40s, but Anthony
Lazalde’s relative youth doesn’t impair his forceful performance. Lazalde
renders a dynamic, blunt-edged characterization that commands the stage,
as well it should.
His opposite number is superbly enacted by Bill Peters, a slightly
built, fragile Felix who’s at his funniest when attempting to assert
himself. Peters presents his character as a walking candidate for an
infirmary or a psychiatric ward -- or both. His weepy scene with the
guys’ prospective dinner dates is hilarious.
Of the four other poker players, Christopher Guyton dominates both
physically and dramatically as Murray, the cop. Paul L. Arnold is a
chronically complaining Speed; Landon Wright chokes effectively as the
air-deprived Roy; and Jon Carlos Moreno is a youngish clock-watching
Vinnie, often overshadowed by the others.
The “coo coo Pigeon sisters,” a pair of giggly, miniskirted Brits
engaged as double dates, are deliciously interpreted by Stephanie Schultz
and Lori White. Both actresses enrich their roles with a mildly
suggestive, off-center charm that works exceedingly well.
Mickey England’s large apartment setting has the proper lived-in look,
and Ron Wyand’s sound effects -- especially the traffic noises outside --
lend an authentic emphasis. Heather Grindstaff’s lighting and the scenic
work of Helen Fearon and Vera Zuckett all contribute to the pleasing
effect.
One minor complaint: It may be too much to ask for the spilled potato
chips to be removed from the floor between scenes one and two, but when
the Pigeon sisters arrive after intermission, the floor should be
spotless. Felix Ungar would never have allowed this mess to remain.
“The Odd Couple” may well be the most often-produced play in America
over the last four decades, and productions such as Huntington Beach’s
will insure its continuation over the next four.
FYI BOX
WHAT: “The Odd Couple”
WHERE: Huntington Beach Playhouse, 7111 Talbert Ave., Huntington
Beach
WHEN: Thursdays through Saturdays at 8 p.m., Sundays at 2 p.m. until
June 24
COST: $7 to $15
PHONE: (714) 375-0696
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